Flame and Citron

In Films by Brock Bourgase

Flame and Citron is a Danish film chronicling the exploits of two members of the Copenhagen resistance movement during World War II. I watched the film alone in an empty cinema but the work deserves far more credit and recognition than it has received. Aside from the fact that the piece is very historically accurate – in terms of costumes and locations – it requires the viewer to ask sophisticated questions of themselves. Flame and Citron are the code names of two hitmen who are working underground against the Nazi regime in Denmark. It is uncertain whether they are merely …

The Bicycle Thief

In Films by Brock Bourgase

When Antonio Ricci’s bicycle is stolen, jeopardizing his employment posting bills, his subsequent search forces him to realize that he is not only seeking the actual vehicle and the wealth that it will bring him and his family but also struggling to follow his morals and maintain his integrity. Ricci had been given a lucky break, a well-paying job that could help his family escape their destitute and desultory existence but his joy is curtailed when the bicycle that he needs to do his job is stolen. The next day, he crosses the city with his son Bruno, encountering a …

Rashomon

In Films by Brock Bourgase

What more can I say about Akira Kurosawa that I haven’t already discussed? Rashomon was another innovative masterpiece, building on the themes of his other works, like High and Low and The Seven Samurai. I was mildly astonished that I didn’t have any Kurosawa DVDs on my shelves when I got home. I was sure that I had purchased The Seven Samurai some time ago. A body is discovered in the woods and three people – the accused, the victim’s wife, and the spirit of the dead man via a medium – recount different stories about what happen. The three …

Public Enemies

In Films by Brock Bourgase

Michael Mann has constucted an entertaining period film with his latest release, Public Enemies. The film recounts the exploits of bank robber John Dillinger during the Great Depression. Although he may be an outlaw, Dillinger captures the public imagination with his charisma and Robin Hood persona. Initially, Dillinger was sent to prison for robbing a grocery store. He regretted the crime because of the kind nature of the store owner but became embittered towards society because of a sentence that he felt was excessive. After leaving prison, he successfully organizes a series of daring bank robberies but always steals from …

The Watchmen

In Films by Brock Bourgase

There is a fine line between satire and parody and various reviews of The Watchmen that I have read disagree on where to place the movie. I thought that scenes from a war room that mimicked Dr. Strangelove and a helicopter sequence from Vietnam set to the Ride of the Valkyries enhanced the movie. One theme of the Watchmen is how pop culture and sensationalism have replaced meaningful discourse and although the film is set in an alternate universe, it seemed appropriate to include elements from the pop culture in this timeline. The film is visually spectacular and most of …

Judgment at Nuremberg

In Films by Brock Bourgase

Based on the post-WWII trials of Nazi officials, Judgment at Nuremberg features Spencer Tracy as the lead judge of the tribunal, one of the last roles of his career. The film is certainly a grand spectacle: the formal tribunal is brought to life by a group of skilled actors and accompanied by an epic soundtrack. The film is not exciting because of action sequences but tense because of a number of emotional monologues and confrontations between characters. Tracy’s performance is a highlight as he portrays Dan Haywood, a retired judge charged with deciding culpability among a group of justices who …

Doubt

In Films by Brock Bourgase

Contradictions and contrasts abound throughout Doubt: good and evil, summer and winter, certainty and doubt. Largely due to the captivating performances of Meryl Streep and Philip Seymour Hoffman, the audience experiences similar opposite emotions. Who is in the right: Streep’s stern Sister Aloysius or Hoffman’s relaxed Father Flynn? As the seasons change, so does the apparent truth. “What’s this? The wind is so … peripatetic this year,” comments Sister Aloysius early in the film. Later, as Father Flynn arrives in the parish with new ideas, the school principal fights back, criticizing the priest regarding matters ranging from his close relationship …

High and Low

In Films by Brock Bourgase

Nothing blew up. Nobody fell off of a roof in Vienna. Numerous scenes unfolded without any dialogue. Yet Akira Kurosawa successfully crafted a film in 1963 that surpasses most modern action films. The plot revolved around a kidnapping mystery, which was revealed gradually as the villain and his persistent police pursuers matched wits. Scenes with hardly any action were incredibly tense, as a result of the actors’ performances, the film’s pacing, and the simple score. There was a connection between the characters and the audience which made a two and half hour film fly by. Kingo Gondo, played by Toshiro …

3:10 to Yuma

In Films by Brock Bourgase

Compared to other western films that I have screened recently, 3:10 to Yuma compares quite favourably. I thought that it is one of the best films that I have seen this year. Like The Assassination of Jesse James by the Coward Robert Ford, it explores the life of a Wild West outlaw who has reached the end of the road and must change their direction. Unlike Jesse James, it doesn’t drag endlessly and offers a tense and surprising conclusion. 3:10 to Yuma is driven by its lead characters, Dan Evans (Christian Bale) and Ben Wade (Russell Crowe) who initially represent …

The Assassination of Jesse James by the Coward Robert Ford

In Films by Brock Bourgase

Interesting film. Promoted to excess. Well shot and director although it could lose a half-hour in length. One of Brad Pitt’s best performances although the supporting cast did better. All things considered, certainly worth seeing in theatres. Certainly, the wide-angle shots of the Midwest make this movie. Viewing this movie at home rather than at the theatre would detract significantly from the experience. I appreciated the time-lapse shots of the sky and the recurring motifs of wheat crops and reflections in glass. There was a feeling that significant events passing and recognition of the characters’ introspection. The film provides intriguing …

Just Win Baby

In Sports by Brock Bourgase

Struggling to keep up with all the latest cheating news and unsure about how my coaching philosophy places all of this in context, I used Al Davis’ motto as a title. From Tim Donaghy to HGH to the New England Patriots, I’m not sure whether the rules should be black and white or shades or grey. How does one define bending the rules to gain an advantage and how is this different from outright rule-breaking by a coach or athlete? Is sport more like professional wrestling – where Hulk Hogan must overcome not only the Iron Shiek but his blatant …

Game of Shadows

In Books by Brock Bourgase

Mark Fainaru-Wada and Lance Williams, authors of Game of Shadows, make a compelling case concerning the use of performance enhancing substances in sport. Designer steroids (such as the Clear and the Cream) or Human Growth Hormone have powered numerous athletic achievements, from baseball’s home run chases to the 2000 Olympics. After reading the book, it is difficult to take any sporting record seriously. Where is the line? Where do vitamins or natural products like flaxseed oil end and controlled substances like steroids or H.G.H. begin? Lance Armstrong’s decision to devote his entire career to train for the Tour de France …

The Theory of Moral Relativity

In Films by Brock Bourgase

Quentin Tarantino once mentionned that his favourite movie is The Good, the Bad and the Ugly, a Sergio Leone western possessing certain similarities to 1994’s Pulp Fiction, which I screened last week at the Bloor Cinema. Specifically, the films feature superb soundtracks, showcase low-key – yet realistic – performances, and break numerous conventions. Depicting characters who attempt to achieve righteousness while committing crimes, the films did not receive the recognition they merited at the time of their release because tradition withstands violence, irony, and other elements that comprise entertaining art. After all, How Green Was My Valley beat out Citizen …