Interesting film. Promoted to excess. Well shot and director although it could lose a half-hour in length. One of Brad Pitt’s best performances although the supporting cast did better. All things considered, certainly worth seeing in theatres.
Certainly, the wide-angle shots of the Midwest make this movie. Viewing this movie at home rather than at the theatre would detract significantly from the experience. I appreciated the time-lapse shots of the sky and the recurring motifs of wheat crops and reflections in glass. There was a feeling that significant events passing and recognition of the characters’ introspection.
The film provides intriguing anecdotal evidence of morals. Jesse James, despite his crimes, is portrayed as a sympathetic hero whereas Bob Ford is completely ostracized by the public for his – seemingly righteous – actions. One would think that the world would be glad to be rid of Jesse James and the danger he posed but his celebrity was not without a certain type of charisma that drew others towards him. Similar to pop culture today, I suppose, given how so many attain renown for marginal, self-destructive actions.
Some suggest that Brad Pitt deserves recognition for his performance as Jesse James. I disagree because Academy Awards and nominations are usually allocated to extremely strong performances. Nevertheless, Pitt puts tremendous effort into his acting, allowing the audience to see into Jesse James’ thoughts at times. The eyes were also part Casey Affleck’s exceptional performance. Bob Ford was a complicated character and Affleck shows how Ford went from an unknown fringe character early to the protagonist of the latter half of the film.
The length is a severe drawback, although it is a two-edged sword. The film definitely dragged during the final third. On the other hand, the deliberate pacing is required to showcase the development of the characters. While he may be an outlaw at the outset, there is a sense that Jesse James may be remorseful and seeking redemption as time passes.