A Single Man

In Films by Brock Bourgase

A Single Man seeks to capture a sentiment, an essence, a moment. It seems to be a descendent of French films: certain abstract images are central to the thoughts of the protagonist although this effect is insufferable at times. Tom Ford directs the film in a very visual way, showing English professor George Falconer’s attempt to navigate around past demons and through the perilous present Having lost the love of his life in a car accident eight months previously, Falconer begins the day with the intent of killing himself. As he goes about his daily business, individual scenes trigger memories and emotions. …

Invictus

In Films by Brock Bourgase

Invictus is a satisfactory film with two significant flaws which should be addressed. The film does not decide if South African President Nelson Mandela and Springboks captain François Pienaar are equals – different leaders with their own style – or whether Mandela is at the centre of a complicated power structure as he rebuilds his country after Apartheid. If the former is the case, then there is not enough time devoted to the rugby player; he should receive equal screen time as the President. If the intent is to focus upon the latter, there should be more instances showing how …

An Education

In Films by Brock Bourgase

Jenny is a bright schoolgirl who is capable of excellent with pen and paper or with her cello. Her parents want her to study at Oxford – as if the university admission would provide symbolic approval of their parenting skills – but she wants more in life. She seeks to broaden her horizons and is frustrated by the strict boundaries at school and at home. An Education is set in 1961 London and based on the autobiography of journalist Lynn Barber; it seems Jenny may follow her intellectual spirit and become a member of the feminist movement in the 1960s. A chance encounter …

Up in the Air

In Films by Brock Bourgase

If Cary Grant had played Greg House, the result may have been Ryan Bingham, the protagonist of Jason Reitman’s new film Up in the Air. Short-changed by theatrical trailers, the film explores personal development and growth in the face adverse circumstances. Despite any uninspired first impressions you may have from the generic two minute trailer, the film merits another hour and forty minutes of your time. It is a witty comedic with a serious message. Hired by other companies who wish to terminate an employee but cannot handle the emotional and legal backlash, Bingham travels across the United States. He …

The Damned United

In Films by Brock Bourgase

First, a Serious Warning: This is a highly subjective biographical film. The publishers of the book on which the film is based were successfully sued for defamation by a player mentioned in the work and others would have similarly filed suit except they were deceased and estates cannot sue for slander or libel. This is not an autobiography; it is a drama based on a real person. Now, the Review: The Damned United is about relationships. Relationships between coaches and players, coaches and management, coaches and the media, and coaches and their peers. Brian Clough experienced a great deal of …

The Road

In Films by Brock Bourgase

There are positive and negative affects to the exploration of the character of The Wife in the film adaptation of Cormac McCarthy’s The Road. On one hand, there is a dichotomy – similar to The Godfather Part II – where the audience can see the resolve of The Wife crumble as The Boy develops his own ten years later. On the other hand, it opens the doors to questions which dilute one of the key attributes of the text: the fact that The Man could be anyone. We don’t know what happened to Earth, who he was, or how he …

Precious

In Films by Brock Bourgase

It reflects poorly on current cinema that Precious has been accorded the critical acclaim that suits an Academy Award contender. The film is sentimental, an essay into human nature, but it is as flawed as the characters who are portrayed. Everyone appreciates stories with happy endings, especially those featuring the Cinderella archetype, but Precious misses the mark. The audience was mostly moved when it is in shock because the protagonist, Claire “Precious” Jones , was victim to vicious violence or exceedingly cruel treatment. The crowd did not react during the terse dialogue between Precious, her mother Mary, and a social …

The Men Who Stare at Goats

In Films by Brock Bourgase

The Men Who Stare at Goats is an idiotic film. Yet it is one of the most entertaining experiences that I have had at the movies in several months. There may be scenes that border upon absurdity – if not completely embracing the concept – but they suit the theme of the film. Also, is a story about a Psychic unit in the United States Army more absurd than what has actually happened in Iraq? Two U.S. Army contracts open fire on each other spontaneously, injuring a dozen Iraqis. Does this truly differ from how the war has unfolded? Massive collateral …

Where the Wild Things Are

In Films by Brock Bourgase

James Gandolfini ruined this film. Whenever Carol would indulge his neuroses or explode in rage, it seemed as if Tony Soprano was bemoaning his life in Dr. Melfi’s office. Where the Wild Things Are stars some tremendous vocal actors but Gandolfini is too distinctive at this point. Since the film was not meant as a mafia parody (it could have featured portrayals of Don Corleone and Tommy DeSimone), this performance falls flat. The point of the film seems self-evident: everyone is emotional and needs to find their own strategy to control themselves. There is nothing offensive about the film but …

Capitalism: A Love Story

In Films by Brock Bourgase

Michael Moore curses capitalism as “evil” and suggests it be supplanted by democracy. Such rhetoric is incendiary and inelegant. Capitalism is not a political system but an extreme on the economic spectrum. Capitalism and democracy are neither complements nor opposites. One does not preclude the other. To me, the economic spectrum is a medium with capitalism (supply and demand) one on side with socialism (a pure command economy) on the other. Society has become so complicated that only a mix of both concepts will satisfy every individual’s indulgent wants. I think that the political spectrum can range from democracy to …

A Serious Man

In Films by Brock Bourgase

When the truth is found to be liesAnd all the joy within you dies When your names become a film typeAnd it’s hard to match all the hype Then you have reached the same paradox that the Coen brothers have found while making A Serious Man.  The film is technically tremendous, one of the best directed films that I’ve seen this year. The screenplay is also superb, the audience was entertained for the entire film. But after Fargo and No Country for Old Men, what’s next? This is better than Burn after Reading by far but there is a lingering …

A Good Fella or a Wise Guy?

In Films by Brock Bourgase

Both sides of a tragic tale – the glitz and glamour and the nuts and bolts – are told by Martin Scorcese and Nicholas Pileggi, retelling Henry Hill’s journey from hijacker and street tough to drug dealer and gambler to federal informant. The two works exemplify the difference between film and literature; Goodfellas enables you to visualize the events and see how a character chooses a course of action and Wise Guy recounts exactly what happened and how it was done. In retrospect, Goodfellas will be recognized as one of the top three films of the 1980s, although stylistically it …

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Star Trek Leadership, Part I: Humans and Klingons

In Star Trek Leadership, Television by Brock Bourgase

When Commander Riker volunteered to serve aboard the Klingon vessel “Pagh”, he encountered several challenges as he adapted to the new environment. Star Trek frequently used a utopian vision of the future to show how humans can better interact the episode “A Matter of Honor” is no exception. As a participant in the Officer Exchange Program, William Riker enters a new culture and must judge when he must adapt and when he must stand for his convictions, as a Benzite named Mendon does likewise as the Enterprise’s science officer. At first, he displays a tough exterior to his new shipmates …

Dynasty’s End

In Books by Brock Bourgase

Celtic Pride – the character, concentration, and commitment – which defined the Boston’s teams when Red Auerbach proved to be integral to the two championships under Player-Coach Bill Russell. Dynasty’s End chronicles the final title in 1968-69 before the team ceded the spotlight to the squads of the 1970s.  When Auerbach was the coach from 1950 to 1966, the Celtics were the most talented team in the Association. Under Russell, the team often finished second or third in its own conference and needed to win multiple tough playoff series. Wilt Chamberlain led his teams (Philadephia and Los Angeles) to better …

Why Do We Watch Documentaries?

In Films by Brock Bourgase

According to their definition, documentaries seek to document and retell a story with video, interview, a narrator, and other facts. Some have brought an issue into the public eye (“An Inconvenient Truth”), some follow a character (“Hoop Dreams” and “Invisible City”), and others have a political viewpoint (“Bowling for Columbine”). Many lie somewhere in between.  Paying five dollars at the Bloor Cinema does not ensure the unbiased truth; it is incumbent upon the viewer to decide what is real and who is telling the truth. Crude: The Real Price of Oil debates Chevron-Texaco’s (in partnership with the government of Ecuador) …

Saboteur

In Films by Brock Bourgase

The climax on top of the Statue of Liberty’s torch is silent: there are no explosions or yells, no chaos or confusion. Simply the drama of two men fighting followed by the villain clinging to the landmark as the hero attempts to help him. The tension is enormous. Saboteur may be one of Alfred Hitchcock’s weaker films but it is still very dramatic. Barry Kane, a reluctant hero, is wrongfully accused of sabotage and must travel across the country to clear his name and prevent a greater act of terrorism. On the way, he meets many people – a chance …