Crazy Heart

In Films by Brock Bourgase

Is it overly cynical to decry an amazing picture because the largely happy ending is somewhat clichéd? On my way out of the theatre, someone said that Crazy Heart was “The Wrestler redux, except with country music.” I actually was hoping for an ambiguous ending similar to that film; it would have suited the storyline arc better. It’s not a repeat of The Wrestler, although the protagonists share the characteristics of well-meaning faded stars who are substance abusers and spectacular screw-ups. This film is perfectly produced. The performances are intense and realistic, the patient direction filled with slow trailing shots …

Best Films of 2009

In Films by Brock Bourgase

I see a great deal of films so I decided to rank the forty-four that I had seen so far. These are all films that received their major North American distribution in the past year. I tend to extensively self-select the films which I see and aim to avoid films which are daft, dreary, or dilettante. 2009 List: Leaves of Grass **** Compelling An Education **** Enlightening The Disappearance of Alice Creed **** Innovative The Damned United **** Inspiring La Donation **** Selfless Sin Nombre **** Depraved The Invisible City **** Revealing Up in the Air ***½ Pertinent A Single Man …

In the Loop

In Films by Brock Bourgase

A satire mixing Burn After Reading, Thank You for Smoking, and Burn After Reading, In the Loop features one of the best scripts of the year. The satire alternates between vulgar and witty, yet remains engaging. Sometimes, when it comes to politics, the real dialogue seems absurd. Watching CNN, it seems like there are continuous contentious conversations regarding semantics and superficial details. In the Loop exaggerates this to a point where rivalries within the office become as significant as rivalries between nations. Under the pretence of high level meetings, cabinet ministers and their staffs are petty, pejorative, phony, and profane. As …

Up

In Films by Brock Bourgase

Of the numerous animated films that I have screened, Up perhaps best combines visual effects with a meaningful yet humourous story. It is incredibly polished and may be the pinnacle of the obviously computer animated feature film if 3-D works such as Avatar are continually released.  Yet it falls short of true cinematic greatness. Carl Fredricksen is a widow who is frustrated how the world has changed around him, literally and figuratively. He had fallen in love with his wife because they both imagined explorering the world, like their mutual idol Charles Munz. Despite all of their dreams, they never …

Trailer Park Boys: Countdown to Liquor Day

In Films by Brock Bourgase

Two of the main criticisms of the second Trailer Park Boys film, Countdown to Liquor Day are that is isn’t funny enough and that there is not sufficient closure for the franchise. With regards to the former, it is true that the film does not match the laugh per minute ratio of the X-Mas Special or seasons one to four. With regards to the latter, I disagree. Now I will spoil the plot because I don’t have enough artistic criticism of the film. It doesn’t really operate on that level of sophistication anyways. The plot is not much to speak …

Inglourious Basterds

In Films by Brock Bourgase

Inglourious Basterds is atypical of Quentin Tarantino films in some regards but similar in many other ways. The film twists traditional archetypes into meaningful characters. The conclusion of the film – which may or may not mirror the actual end of World War II – shows how that each side of the conflict was comprised of individuals, which their own characteristics and choices. The Nazis may have been charming or the Allies cutthroat, although more likely painted in shades of grey. Christoph Waltz won the Best Actor Award at Cannes for his portrayal of S.S. Colonel Hans Landa , “The …

Bright Star

In Films by Brock Bourgase

An account of a brief love affair in the brief life of Romantic poet John Keats, Bright Star tells its story deliberately. Director Jane Campion highlights the dialogue by featuring a minimalist soundtrack; there is sparse music between bouts of extensive silence. Costumes and locations suit the film perfectly. The love affair is subtle but the passion between John Keats and Fanny Brawne is evident. The film sets out to deliver a moving love story and succeeds. The question remains as to whether this type of patient film can remain relevant amid countless Hollywood blockbusters which boast higher budgets, bigger …

Sherlock Holmes

In Films by Brock Bourgase

To consider the latest Sherlock Holmes film canonical enrages the mind and inflames the soul. Robert Downey Jr. proves to be perhaps the most accurate interpretation of the literary hero but the plot is daft and dilettante. The sophistication and subtlety of Conan Doyle’s short stories are butchered by scenes of excessive violence and bludgeoned by overt symbolism. The atmosphere and setting of the film are sensation. London’s dark side, seen through Holmes Bohemian eyes is spellbinding and the soundtrack suits the action perfectly (the story about the “broken” piano is also fascinating). I could easily enjoy several films in …

Avatar

In Films by Brock Bourgase

In his most recent film Avatar, James Cameron reates an amazing, luminous world. Pandora, a planet comprised of rain forests that cover an extremely valuable metal. To mine the ore, the multi-national, multi-planet corporation must displace the indigenous population and their lifestyle. Since humans cannot survive on Pandora, “avatars” have been created to mingle with the native population and attempt to negotiate a settlement. Jake Sully, an ex-marine who joined the mission solely because of desperation (on his part because he has no alternatives and on the part of the conglomerate because they need someone with the same D.N.A. as his …

Double Bill at the Royal Cinema, Part I: The Future of the Planet Seems to Be at Stake

In Films by Brock Bourgase

Patrons of the Royal Cinema were treated this week to two esoteric films featuring two extraordinary gentlemen. Collapse: Michael Ruppert was an L.A.P.D. officer in the 1970s who blew the whistle on possible C.I.A. drug trafficking in the city. Since then, he has written several books about public policy and the dangers of excessive consumption. The film is essentially an eighty-minute interview, juxtaposing Ruppert’s thoughts with campy 1950s documentary footage. The reassuring Cold War era footage contrasts with the strong words expressed during the interview. It is a harsher version of Capitalism: A Love Story, taking the rhetoric to an …

A Single Man

In Films by Brock Bourgase

A Single Man seeks to capture a sentiment, an essence, a moment. It seems to be a descendent of French films: certain abstract images are central to the thoughts of the protagonist although this effect is insufferable at times. Tom Ford directs the film in a very visual way, showing English professor George Falconer’s attempt to navigate around past demons and through the perilous present Having lost the love of his life in a car accident eight months previously, Falconer begins the day with the intent of killing himself. As he goes about his daily business, individual scenes trigger memories and emotions. …

Invictus

In Films by Brock Bourgase

Invictus is a satisfactory film with two significant flaws which should be addressed. The film does not decide if South African President Nelson Mandela and Springboks captain François Pienaar are equals – different leaders with their own style – or whether Mandela is at the centre of a complicated power structure as he rebuilds his country after Apartheid. If the former is the case, then there is not enough time devoted to the rugby player; he should receive equal screen time as the President. If the intent is to focus upon the latter, there should be more instances showing how …

An Education

In Films by Brock Bourgase

Jenny is a bright schoolgirl who is capable of excellent with pen and paper or with her cello. Her parents want her to study at Oxford – as if the university admission would provide symbolic approval of their parenting skills – but she wants more in life. She seeks to broaden her horizons and is frustrated by the strict boundaries at school and at home. An Education is set in 1961 London and based on the autobiography of journalist Lynn Barber; it seems Jenny may follow her intellectual spirit and become a member of the feminist movement in the 1960s. A chance encounter …

Up in the Air

In Films by Brock Bourgase

If Cary Grant had played Greg House, the result may have been Ryan Bingham, the protagonist of Jason Reitman’s new film Up in the Air. Short-changed by theatrical trailers, the film explores personal development and growth in the face adverse circumstances. Despite any uninspired first impressions you may have from the generic two minute trailer, the film merits another hour and forty minutes of your time. It is a witty comedic with a serious message. Hired by other companies who wish to terminate an employee but cannot handle the emotional and legal backlash, Bingham travels across the United States. He …

The Damned United

In Films by Brock Bourgase

First, a Serious Warning: This is a highly subjective biographical film. The publishers of the book on which the film is based were successfully sued for defamation by a player mentioned in the work and others would have similarly filed suit except they were deceased and estates cannot sue for slander or libel. This is not an autobiography; it is a drama based on a real person. Now, the Review: The Damned United is about relationships. Relationships between coaches and players, coaches and management, coaches and the media, and coaches and their peers. Brian Clough experienced a great deal of …

The Road

In Films by Brock Bourgase

There are positive and negative affects to the exploration of the character of The Wife in the film adaptation of Cormac McCarthy’s The Road. On one hand, there is a dichotomy – similar to The Godfather Part II – where the audience can see the resolve of The Wife crumble as The Boy develops his own ten years later. On the other hand, it opens the doors to questions which dilute one of the key attributes of the text: the fact that The Man could be anyone. We don’t know what happened to Earth, who he was, or how he …