Six actors, portraying six diverse phases of Bob Dylan’s life. Under aliases, a half-dozen stories intertwine smoothly, roughly, and sometimes indescribably. Certainly, the creativity of the protagonist(s) and the director remain the film’s defining quality. Themes such as conformity, change, and challenges also abound, as illustrated by forums like a Macarthyism-style hearing, a 1960s documentary, and a fictional epilogue for Billy the Kid, if he survived Sherriff Garrett’s bullets. Spectators draw their own unique conclusions, branches of the same tree. Everything is nothing without the people who define it. Je est un autre. Jane Jacobs argues that every city, neighbourhood, …
Peut ce qui veut
David Cronenberg’s latest film, Eastern Promises, bears a handful of the director’s trademarks. Some scenes of violence are blunt, though it is not yet time for our William Tell routine. The plot is tense and (obviously) leads to an ambiguous ending. Viggo Mortensen’s tragic hero, Nikolai, earns the sympathy of the audience because of his subdued performance. Questions of commitment arise from both sides of the ledger: how far will you go to achieve your goals? «Peut ce qui veut.» Values are vague — like other recently reviewed films, less separates good and evil than it first seems. One decision …
No End in Sight & Shake Hands with the Devil
No End in Sight, a documentary by Charles Ferguson analyzing the United States involvement in Iraq, was released to very little fanfare this past week. The only theatre in town screening the film was the Bloor Cinema on a Friday night. Ferguson sought to encompass the perspectives of the American decision-makers, tying them to the events that covered the first critical year of the Iraqi occupation in 2003. In many ways, U.S. choices made regarding the Iraq War paralleled British decisions in the Crimean War. In explaining how the entire war has been comprised of one fiasco following another, No …
3:10 to Yuma
Compared to other western films that I have screened recently, 3:10 to Yuma compares quite favourably. I thought that it is one of the best films that I have seen this year. Like The Assassination of Jesse James by the Coward Robert Ford, it explores the life of a Wild West outlaw who has reached the end of the road and must change their direction. Unlike Jesse James, it doesn’t drag endlessly and offers a tense and surprising conclusion. 3:10 to Yuma is driven by its lead characters, Dan Evans (Christian Bale) and Ben Wade (Russell Crowe) who initially represent …
The Assassination of Jesse James by the Coward Robert Ford
Interesting film. Promoted to excess. Well shot and director although it could lose a half-hour in length. One of Brad Pitt’s best performances although the supporting cast did better. All things considered, certainly worth seeing in theatres. Certainly, the wide-angle shots of the Midwest make this movie. Viewing this movie at home rather than at the theatre would detract significantly from the experience. I appreciated the time-lapse shots of the sky and the recurring motifs of wheat crops and reflections in glass. There was a feeling that significant events passing and recognition of the characters’ introspection. The film provides intriguing …
The Theory of Moral Relativity
Quentin Tarantino once mentionned that his favourite movie is The Good, the Bad and the Ugly, a Sergio Leone western possessing certain similarities to 1994’s Pulp Fiction, which I screened last week at the Bloor Cinema. Specifically, the films feature superb soundtracks, showcase low-key – yet realistic – performances, and break numerous conventions. Depicting characters who attempt to achieve righteousness while committing crimes, the films did not receive the recognition they merited at the time of their release because tradition withstands violence, irony, and other elements that comprise entertaining art. After all, How Green Was My Valley beat out Citizen …
Brock and the Order of the Phoenix
Not seeking to discuss how to get a high percentage shot in seven seconds or less over the summer, I viewed the new Harry Potter film over the weekend. Although the logical holes that plagued the book remain, it proves to be an enjoyable two and a half hours. Several strong performances carry the film, excluding the highly skilled actors who showed less emotional range than Transformers’ Optimus Prime. Imelda Staunton plays the role of the officious and self-important Dolores Umbridge perfectly. It is easy to relate to the film because everyone has had to deal with the intrusive administrator …
Of Mice and Men and Method Acting
John Steinbeck’s East of Eden retells the story of Cain and Abel, depicted by the Trask family as generations move from Connecticut to Salinas, California. East of Eden was also adapted to the screen, directed by Elia Kazan and featuring James Dean. Although Steinbeck and Kazan have achieved the peak of their professions – the Nobel Prize in Literature and the Academy Award for Best Direction, respectively – Kazan clearly outshines his literary counterpart in bringing the oft-repeated story to life.
La Dolce Vita
I’ve been told that you need to watch the adjacent Fellini films – The Nights of Cabiria and 8½ – to truly appreciate it, but I didn’t have a problem with the loose narrative of La Dolce Vita. In fact, the plot, seemingly unconnected at times, is essential to the themes that Fellini wishes to address. “Rome: a tranquil jungle where you can hide.”– Marcello Rubini Uttered by at the opening of the film by Marcello, a tabloid journalist, these words endeavour to explain the motivation of the protagonist Marcello and the director Frederico Fellini throughout La Dolce Vita. Marcello …
Touch of Evil
Apparently, Orson Welles’ Touch of Evil is an unappreciated masterpiece. I am not that sure. There are some masterful shots and excellent performances, but I found the plot to be a bit of a train wreck. It’s like watching the Los Angeles Lakers attempt to execute the Triangle these days, extremely skilled at times yet missing some basic fundamentals. As usual, there was a dispute between Welles and the studio which led to the mangling of the original print. A DVD was released containing some of Welles’ requested changes, but it doesn’t surpass above average. Perhaps the film is an …
Reality Check
Stanley Kubrick died shortly after completing the final edit of Eyes Wide Shut, a modern adaptation of Arthur Schnitzler’s novella Traumnovelle. Both analyze the juxtaposition of dreams and reality, the conscious and the sub-conscious, differently. Schnitzler’s work lacks the sexuality that smolders throughout Kubrick’s film but the written word offers a medium to communicate all of the protagonist’s thoughts – expressed and repressed desires, future plans and regrets – accurately depicting how he is no different from any other person. Eyes Wide Shut delves into what is real and what is not. Is Bill’s sequence of unsuccessful sexual adventures more …
Do the Right Thing
So Reggie Evans put his foot under Chris Bosh as he released a jumpshot, rolling his ankle. In response, Rasho Nesterovic punched Evans the next time that he attempted a lay-up. “Violence does, in truth, recoil upon the violent, and the schemer falls into the pit which he digs for another.”– Arthur Conan Doyle Do the Right Thing depicts Mookie – a pizza delivery boy – as he tries to balance his employer, family, partner and son, and community. He eventually tosses a garbage can through the pizzeria window. After being told how he would always be welcome at the …
M & The Departed
Having screened these two films lately, some points have come to light. One can’t help but remark how much cinema has decayed lately. Unlike other recent films, The Departed was driven by skill on-screen and behind the camera instead of special effects — the plot was compelling throughout and genuinely surprising. Likewise, M was thoroughly entertaining despite its technical limitations. Fritz Lang created a screenplay that was both dramatic and humorous, employed innovative camera angles, and benefited from several strong performances. Both stand out among the greatest ever in stark contrast to the sea of mediocrity that most films released …
The Rivalry
Can determination trump talent? Apparently so, according to The Rivalry by John Taylor. The battles between Bill Russell and Wilt Chamberlain and their respective teams are detailed within the context of the growth of the game throughout the 1960s. Chamberlain was one of the most prolific post scorers in the history of basketball yet during the ten seasons that their careers overlapped, Russell and the Celtics claimed the Association title nine times. The book delves into the psychological warfare waged between the two. For example, once Russell blocked Chamberlain twice on the same possession. When Chamberlain recovered the loose ball, …
That Championship Season
Myriad films have employed basketball as a plot device (Hoosiers), a Sisyphean obstacle for the protagonist (Hoop Dreams), and an outlet for a character’s creativity (Finding Forrester); That Championship Season utilizes the sport as a symbol of what has been lost. Four high school teammates reunite with their coach twenty-four years after their state championship triumph. During the intervening years, they have married, pursued their careers, and gone their separate ways. “We lost something boys.”– Coach Delaney Subtle changes were made to the Pulitzer Prize winning play of the same title. For example, the play emphasizes how compromising their personal …
Bay Street Video
The Shawshank Redemption is a good film that features strong performances, excellent direction, and a script that exposes the subtleties of life inside prison walls (normally ignored by the public). “Red” is a frank, honest narrator who gains the sympathy of the audience. There are some spectacular shots that simulate the perspective of a third party observer, perhaps, who knows what goes on inside Shawshank Prison but doesn’t wish to intervene. Patient pacing shows how Andy Dufresne overcomes his personal demons and beats and unjust system over the course of nineteen years. The film is no fairy tale — every …