Shame

In Films by Brock Bourgase

Shame exemplifies a recent trend in cinema to portray an emotion – or a moment in time – rather than a narrative or a story. Dialogue and plot development may be minimum but the audience is shown a realistic and intense exposé about the effects of addiction on individuals and relationships. There really is no moral, other than the message: “this is out there, it is what it is and we need to be aware of it and deal with it.” Michael Fassbender stars Brandon, initially a seemingly successful executive whose life gradually comes apart after his sister Sissy, played …

Breakfast at Tiffany’s

In Films by Brock Bourgase

In literature, Holly Golightly is a contradictory: she wants everything but doesn’t treasure anything; she doesn’t know what she has until it is gone. In film, she is more of a dilettante, playing the female lead in the first romantic comedy. The book by Truman Capote and the film starring Audrey Hepburn are certainly opposites although I kind of liked both works. Breakfast at Tiffany’s – chosen as a title because of Holly’s proclivity towards daft comments echoed some of Capote’s friends and illustrated in the film when Hepburn ends an evening by having coffee and a pastry in a …

Capote

In Films by Brock Bourgase

Capote chronicles the life of author Truman Capote as he chronicles the murders in Holcomb, Kansas which would become the basis for his book In Cold Blood. The quadruple-homicide may have permanently damaged the innocence of the country as the task of researching and writing the book harmed the conscience of the author. The Kansas scenery comes to life, albeit in the drab colours of winter. Instead of a stark conflict between good and bad, black and white, there are many varied interests at play. The contrast between the values of the upstanding citizens of Holcomb and those of Perry …

Client 9: The Rise and Fall of Eliot Spitzer

In Films by Brock Bourgase

So often, documentaries are praised because they bring interesting information to light, not because of the director’s craft or production values. The documentary combines interviews with archival footage, mixing objective facts with subjective opinions. Viewers leave the theatre believing that they have been totally informed about the latest crisis which is about to erupt when in fact they were only shown highlights of one side of the issue. The works can still be a productive use of two hours but one must keep their critical thinking filters on at all times. At first glance, Client 9: The Rise and Fall …

Best Seat in the House

In Books by Brock Bourgase

Spike Lee’s “basketball memoir”, Best Seat in the House, provides a unique perspective on the sport and frank commentary. Despite his film background, Lee is tremendously knowledgeable about basketball and how it is intertwined with New York City’s culture. He has attended hundreds of games, from Game 7 of the 1970 Finals when Willis Reed emerged from the locker room to deflate and defeat the Lakers to Game 7 of the 1994 Eastern Finals when the Knicks returned to the Finals for the first time in twenty years, and he describes the city’s euphoric reaction to these moments. Thousands of …

Cities

In Economics and Business Studies by Brock Bourgase

Recently, I read Jane Jacobs’ The Death and Life of Great American Cities and Jonathan Mahler’s Ladies and Gentlemen, the Bronx is Burning. Due to her residence in New York City for many years, Jacobs’ theory is illustrated by the real-life examples of politics, economics, and city planning recorded by Mahler in his study of 1977 Gotham. Both authors display a strong understanding of history and the events that have led to the current state of New York City. Unfortunately, both possess a rambling writing style that creates many excruciating chapters. Editors have jobs because they do good work. Written …