Having screened these two films lately, some points have come to light. One can’t help but remark how much cinema has decayed lately. Unlike other recent films, The Departed was driven by skill on-screen and behind the camera instead of special effects — the plot was compelling throughout and genuinely surprising. Likewise, M was thoroughly entertaining despite its technical limitations. Fritz Lang created a screenplay that was both dramatic and humorous, employed innovative camera angles, and benefited from several strong performances. Both stand out among the greatest ever in stark contrast to the sea of mediocrity that most films released …