Morpheus proves a pseudo-philosopher in the Matrix Trilogy, much like Marcus Aurelius in his collection of musings, Meditations, and Optimus Prime in the summer blockbuster flick, Transformers. The latter two offer interesting ideas but fall short of anything truly significant, like Tony Soprano quoting Sun-Tzu or mentioning Machiavelli to Dr. Melfi. Marcus Aurelius repeats themes regarding man’s control over his own destiny and how the world and universe will carry on irrespective of one’s actions. One memorable point: “even if you burst with indignation they will still carry on regardless.” Another: the potential of the directing mind to speak loudly …
I Never Had It Made
Jackie Robinson – who debuted for the Brooklyn Dodgers fifty years ago – recounts his career in sport and business in his book, which he titled I Never Had It Made. Although known primarily among the general public for his baseball career, Robinson devotes scarcely more than a third of the book to the topic, covering his experiences in politics, business, and raising a family. Two basic lessons that the reader can take away are how adversity affects all sorts of people and it’s important to preserve nonetheless and that it is never to late to change one’s course in …
La Dolce Vita
I’ve been told that you need to watch the adjacent Fellini films – The Nights of Cabiria and 8½ – to truly appreciate it, but I didn’t have a problem with the loose narrative of La Dolce Vita. In fact, the plot, seemingly unconnected at times, is essential to the themes that Fellini wishes to address. “Rome: a tranquil jungle where you can hide.”– Marcello Rubini Uttered by at the opening of the film by Marcello, a tabloid journalist, these words endeavour to explain the motivation of the protagonist Marcello and the director Frederico Fellini throughout La Dolce Vita. Marcello …
That Championship Season
Myriad films have employed basketball as a plot device (Hoosiers), a Sisyphean obstacle for the protagonist (Hoop Dreams), and an outlet for a character’s creativity (Finding Forrester); That Championship Season utilizes the sport as a symbol of what has been lost. Four high school teammates reunite with their coach twenty-four years after their state championship triumph. During the intervening years, they have married, pursued their careers, and gone their separate ways. “We lost something boys.”– Coach Delaney Subtle changes were made to the Pulitzer Prize winning play of the same title. For example, the play emphasizes how compromising their personal …
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