Ryan Gosling’s unnamed protagonist is as enigmatic as Drive itself. Mixing genres between film noir, tragic hero and 1980s crime thriller, Drive certainly showcases a fair amount of style as it could have been directed by Miami Vice’s Michael Mann. When it endeavours to tell a story, it falls short because the film relies solely on the viewer taking it all in from afar rather than scrutinizing the brush strokes. Undoubtedly, the film is unique as Gosling’s character, who works as a getaway driver, auto mechanic and stock car racer. He is elusive at first when he is introduced as …
In Cold Blood
Unlike the film Gangs of New York, which adapted a spell-binding text and rendered it into conventional Hollywood tripe, In Cold Blood enhances the true crime novel by Truman Capote and brings it to life on the silver screen. The events which permanently altered life in tiny Holcomb, Kansas – and perhaps throughout all small towns in the United States – have been the subject of a true crime novel by Truman Capote, a documentary, television movie and the first widely-distributed American film to use profanity. Capote devoted six years to the project, compiling records and minutiae in order to …
T.I.F.F. 2010, Part III: The Big Picture
Also known as L’Homme qui voulait vivre sa vie, The Big Picture proved to be another excellent film. “Thank you for choosing this f—— film,” director Eric Lartigau told the capacity crowd at the Toronto International Film Festival. The f—— film focuses on Paul Exben, played by Roman Duris. Early in the film, his learns that his marriage has collapsed. Paul confronts Grégoire, his wife’s lover, and accidentally kills the man. He realizes that he must disappear so he assumes Grégoire’s identity and moves to the Balkans. The film is a dark character study of a tragic hero. Lartigau often …
T.I.F.F. 2010, Part I: Easy Money
After viewing countless flawed films, tolerating several superficial screenplays, and living with too many loose ends that have not been tied up, I was very happy to see Easy Money at the Toronto International Film Festival. A crime caper film with a twist, director Daniel Espinosa spends as much time exploring the personal lives of those who control the drug market in Sweden as he does the cocaine deal about to unfold. Consequently, the characters are fully developed and their motivations are known and understood. J.W. is a business school student who drives a cab and runs errands for a …
Le Corbeau
Black and white film seems to suit the Film Noir genre, from the moral ambiguity to the focus on acting and tension created by a well-written screenplay instead of meaningless explosions. Le Corbeau is no exception. Popular in Vichy France but banned after the liberation, it covers the disintegration of a small town when an anonymous letter writer begins accusing public figures. Henri-Georges Clouzot uses a great deal of light and shadow to show the difference between right and wrong. Like Plato’s parable of The Cave, the viewer is left wondering about the true nature of each character: the real …
Touch of Evil
Apparently, Orson Welles’ Touch of Evil is an unappreciated masterpiece. I am not that sure. There are some masterful shots and excellent performances, but I found the plot to be a bit of a train wreck. It’s like watching the Los Angeles Lakers attempt to execute the Triangle these days, extremely skilled at times yet missing some basic fundamentals. As usual, there was a dispute between Welles and the studio which led to the mangling of the original print. A DVD was released containing some of Welles’ requested changes, but it doesn’t surpass above average. Perhaps the film is an …
M & The Departed
Having screened these two films lately, some points have come to light. One can’t help but remark how much cinema has decayed lately. Unlike other recent films, The Departed was driven by skill on-screen and behind the camera instead of special effects — the plot was compelling throughout and genuinely surprising. Likewise, M was thoroughly entertaining despite its technical limitations. Fritz Lang created a screenplay that was both dramatic and humorous, employed innovative camera angles, and benefited from several strong performances. Both stand out among the greatest ever in stark contrast to the sea of mediocrity that most films released …