Initially apprehensive about how the narrative structure of Barney’s Version would translate to the screen, I was presently surprised. The film mixes flashbacks with events occurring in the present day, jumping forwards years and months at a time without jarring the audience. Brief moments of forgetfulness and showing the protagonist through mirrors or translucent surfaces illustrates the onset of Alzheimer’s Disease before Barney is completely stricken in the final quarter of the film. On the other hand, I thought that the book included more of a Rashomon-type vibe than what was featured by the film. The work was entertaining – …
What Just Happened?
“Indeed,” remarked the cinema patrons as they left Robert DeNiro’s latest film What Just Happened? “Was that a comedy or a drama?” said one. “I have no clue,” replied another. “Just keep walking,” urged a third. Did a comedy happen? Or a drama? I was hoping that an absurd series of events would parody Hollywood like Get Shorty. Or maybe a disaffected protagonist grinding his way through a series of soulless setbacks, like directory Barry Levinson’s T.V. series Homicide and Oz. If not that, then two leading actors bantering back and forth and satirizing their field, like another Levinson-DeNiro collaboration …
The Dark Knight and The Graduate
Over the weekend I watched two films, The Dark Knight in IMAX and The Graduate on DVD. Directors Christopher Nolan and Mike Nichols created two excellent films but only one of the two is truly an all-time great (despite what IMDB’s All-Time Ratings indicate at the moment). On the six-storey IMAX screen, The Dark Knight is spectacular. Panoramic shots are crystal clear and one can appreciate the scale of Gotham City. The monologues and dialogues are even more intense; the size of the presentation does great justice to the performances of Heath Ledger, Gary Oldman, and Aaron Eckhart. But the …