Ryan Gosling’s unnamed protagonist is as enigmatic as Drive itself. Mixing genres between film noir, tragic hero and 1980s crime thriller, Drive certainly showcases a fair amount of style as it could have been directed by Miami Vice’s Michael Mann. When it endeavours to tell a story, it falls short because the film relies solely on the viewer taking it all in from afar rather than scrutinizing the brush strokes. Undoubtedly, the film is unique as Gosling’s character, who works as a getaway driver, auto mechanic and stock car racer. He is elusive at first when he is introduced as …