In literature, Holly Golightly is a contradictory: she wants everything but doesn’t treasure anything; she doesn’t know what she has until it is gone. In film, she is more of a dilettante, playing the female lead in the first romantic comedy. The book by Truman Capote and the film starring Audrey Hepburn are certainly opposites although I kind of liked both works. Breakfast at Tiffany’s – chosen as a title because of Holly’s proclivity towards daft comments echoed some of Capote’s friends and illustrated in the film when Hepburn ends an evening by having coffee and a pastry in a …