The Artist

In Films by Brock Bourgase

An ode to silent films and the Golden Age of the Silver Screen, The Artist could easily become camp yet manages to rise above the novelty of black and white scenes, dialogue replaced by caption cards and a 4:3 aspect ratio. The film succeeds because it preserves the magic of Hollywood, not the techniques of 1920s filmmaking. Ultimately, the purpose of films is to entertain; silent films became obsolete when viewers wanted to see “talkies” and black and white films were replaced when colour was demanded. The Artist aspires to entertain the audience with a simple and charming story and …

Four Forgotten Alfred Hitchcock Films

In Films by Brock Bourgase

Rebecca moves slowly but picks up speed as it progresses. It is one of the first films that Alfred Hitchcock made after crossing the Atlantic and the only one which won him a Best Picture Oscar. Shot along the Côte d’Azur in black in white, it lacks the brightness and clarity of To Catch a Thief, which was filmed in Technicolor. The film features tight angles that focus on the leads, Laurence Olivier and Joan Fontaine and wide, chaotic shots that emphasize how the Second Mrs. de Winter and Mrs. Danvers are losing their heads. At this point, Hitchcock had …