Six actors, portraying six diverse phases of Bob Dylan’s life. Under aliases, a half-dozen stories intertwine smoothly, roughly, and sometimes indescribably. Certainly, the creativity of the protagonist(s) and the director remain the film’s defining quality. Themes such as conformity, change, and challenges also abound, as illustrated by forums like a Macarthyism-style hearing, a 1960s documentary, and a fictional epilogue for Billy the Kid, if he survived Sherriff Garrett’s bullets. Spectators draw their own unique conclusions, branches of the same tree. Everything is nothing without the people who define it. Je est un autre. Jane Jacobs argues that every city, neighbourhood, …