In many respects, The Interrupters showcases the dichotomy of documentary filmmaking: the execution of the film is flawed but the story is spellbinding. Shot over the course of a year, the documentary follows “Violence Interrupters” affiliated with the group Cease Fire as the roam the streets of Chicago’s most at-risk neighborhoods, mediating confrontations and diffusing dangerous situations. The group’s goal is two-fold: to reduce violence as much as possible because acts of violence beget violence and lobby to address some of the root causes of which violence is a symptom. The group is founded by a doctor named Gary Slutkin …
Bell Lightbox Screenings, Part I: The Godfather
The reason that we screen films at the Bell Lightbox is so we can better appreciate today’s films. It’s not solely a matter of enjoying the film that is shown – although that is also a significant factor – but to understand its impact on the films that followed it. The Godfather is one of the best films of all time and it is always satisfying, despite the condescension dripping from Lightbox staff and the crowd of jackanapes who had smuggled six-packs into the theatre and insisted on quoting every famous line aloud. Those drawbacks were trivial relative to the …
T.I.F.F. 2010, Part IV: Essential Killing
If there is one piece of conventional wisdom challenged by the Toronto International Film Festival on a yearly basis, it is Hollywood’s reliance on traditional plot structure and repetitive themes. When a director brings their work to the festival, they can create something original based on a kernel of an idea that has formed in their head, exposing the audience to unique characters, surprising twists, and an entirely new experience. Essential Killing is one of those novel motion pictures. A Taliban soldier named Mohammed is captured and rendered to Poland after he is tortured by United States forces. On a …