T.I.F.F. 2011, Part I: The First Man

In Films by Brock Bourgase

Based on Albert Camus’ unfinished last work, The First Man is an semi-autobiography, balancing tales of the author’s upbringing in a fatherless home with scenes from 1957 Algeria. The film’s twin timelines succeed in profiling author Jacques Coméry and his time in Algeria during two separate times, the 1920s and the 1950s. Scenes from his childhood and the path that led him to become a writer and make a career for himself are juxtaposed with a recent trip to the country to visit his family and speak on the subject of the independence movement. As Coméry speaks to integral figures …

The Tree of Life

In Films by Brock Bourgase

Existentialism on film is a risky proposition: while the theme can be incorporated throughout different types of scenes, it is challenging to construct a conclusion that does not ring hollow. Terrence Malick’s The Tree of Life debates the meaning of life well, combining a unique method of storytelling with stunning visuals, but wanders slightly into the realm of cliché as it reaches its climax. Juxtaposing concrete scenes of life with abstract visions of creation, real-life moments and natural metaphors, Malick captures the attention of the audience without overwhelming them. On one hand, life is precious and fleeting but on the …

An Education

In Films by Brock Bourgase

Jenny is a bright schoolgirl who is capable of excellent with pen and paper or with her cello. Her parents want her to study at Oxford – as if the university admission would provide symbolic approval of their parenting skills – but she wants more in life. She seeks to broaden her horizons and is frustrated by the strict boundaries at school and at home. An Education is set in 1961 London and based on the autobiography of journalist Lynn Barber; it seems Jenny may follow her intellectual spirit and become a member of the feminist movement in the 1960s. A chance encounter …

Le Corbeau

In Films by Brock Bourgase

Black and white film seems to suit the Film Noir genre, from the moral ambiguity to the focus on acting and tension created by a well-written screenplay instead of meaningless explosions. Le Corbeau is no exception. Popular in Vichy France but banned after the liberation, it covers the disintegration of a small town when an anonymous letter writer begins accusing public figures. Henri-Georges Clouzot uses a great deal of light and shadow to show the difference between right and wrong. Like Plato’s parable of The Cave, the viewer is left wondering about the true nature of each character: the real …

Players Win Games

In N.B.A. Basketball by Brock Bourgase

On Wednesday night, Dwyane Wade dropped 37 on the Raptors and LeBron James lit up the Mavericks for 46 points. Underlines the idea that players win games and explaining why college coaches recruit. According to Albert Camus, the essential concept of existence is the struggle against mortality, a world not particularly suited to humans, and perhaps even mediocrity. Camus might have enjoyed the game, although it may have been frustrating to watch, it was probably a good effort for the Raptors, given their talent and the injury to Chris Bosh — is putting a ball in a hoop any less …

Sport=Art

In Mental Training by Brock Bourgase

When you play sports, you are the work of art. The show is ongoing; there is always another chance to perform. You can always improve what you have to offer. Play sports for fun but take advantage of the opportunity to set new personal bests. Push yourselves and push your team-mates to get better. Don’t set low expectations; don’t expect to finish last. I was an athletics banquet and “at least we didn’t finish last” was a refrain. Anyone can do better than last. I could take up any sport tomorrow and finish last (or better). If it were my …