Since 2010 is the centennial of Akira Kurosawa’s birth both Cinémathèque Ontario and the Bloor Cinema have organized screenings of some of the filmmaker’s most notable works. Watching Kurosawa’s films, especially those from his classic period during the 1950s and 1960s, one can appreciate his contributions as a director and screenwriter. The Seven Samurai: I’ve reviewed this film previously and can reaffirm that the film deserves its exalted place among cinema’s greatest achievements. The film introduces many storytelling techniques to cinema, such as introducing the protagonist via an unrelated caper that showcases their bravery, fighting skill, or sometimes ingenuity and …
Mesrine: Killer Instinct
The first installment of a two-part series, Killer Instinct chronicles the first part of Jacques Mesrine’s life of crime. when the gangster operated in France and Canada in the 1960s. Many aspects of the film are taken from other pictures; the film seems to be part Goodfellas, part Bonnie and Clyde, there is even a scene taken exactly from Thelma and Louise. Though the derivations – camera angles, plot elements, even a couple of nearly identical scenes – are obvious, the way that everything is deftly combined does not cheapen the film. Ultimately, there is no shame stealing from master directors …
The Best and Brightest
“Those who do not read history are doomed to repeat it,” according to George Santayana. According to David Halberstam’s book, The Best and the Brightest – which exposes how the Kennedy and Johnson cabinets of the 1960s handled Vietnam – it may not be so simple. John F. Kennedy’s administration had lofty goals: some of the most educated men in the country sought to redefine the role of the United States on the world stage. Some sought to curtail the arms race, others sought to establish a new, modern “Great Society” back home. Despite their best intentions and their amazingly …