This past weekend, two films opened that allowed views to choose between their amygdala and prefrontal cortex. Those who wanted to react could watch Mission Impossible: Ghost Protocol and relish the ceaseless action and those who wished to reflect could screen Tinker Tailor Soldier Spy and revisit the intrigue of the Cold War. There is nothing wrong with explosions and fisticuffs but I wanted conspiracies and mysteries so I chose the latter. I was happy with my choice but others in the theatre were not, believing that there was not sufficient violence for their liking. Based on the 1974 novel …
Shame
Shame exemplifies a recent trend in cinema to portray an emotion – or a moment in time – rather than a narrative or a story. Dialogue and plot development may be minimum but the audience is shown a realistic and intense exposé about the effects of addiction on individuals and relationships. There really is no moral, other than the message: “this is out there, it is what it is and we need to be aware of it and deal with it.” Michael Fassbender stars Brandon, initially a seemingly successful executive whose life gradually comes apart after his sister Sissy, played …
Drive
Ryan Gosling’s unnamed protagonist is as enigmatic as Drive itself. Mixing genres between film noir, tragic hero and 1980s crime thriller, Drive certainly showcases a fair amount of style as it could have been directed by Miami Vice’s Michael Mann. When it endeavours to tell a story, it falls short because the film relies solely on the viewer taking it all in from afar rather than scrutinizing the brush strokes. Undoubtedly, the film is unique as Gosling’s character, who works as a getaway driver, auto mechanic and stock car racer. He is elusive at first when he is introduced as …
The Amateurs
David Halberstam wrote The Amateurs about the 1984 United States Olympic Rowing Trials. The author was alternatively fascinated with current affairs, American culture and sports. Many of his works seek to determine why events unfold as they do and his athletic works try to explain why people motivate themselves and how they work together. The Amateurs tells the stories of young men who are auditioning for the single sculling boat in the upcoming Los Angeles Olympics. In 1984, there was little media coverage of the sport so there is little chance for fame and fortune. The Soviet Union and Eastern …
Of Gods and Men
Trappist monks who lived in the monastery of Tibhirine existed in harmony with Muslims in the mountains of Algeria until a civil war erupted in the 1990s. Seven monks were captured by the Armed Islamic Group and were killed two months later, although the exact circumstances of their deaths remain unclear. Director Xavier Beauvois revisits the tragic events in his film, Of Gods and Men, chronicling how the monks debated whether or not to remain in North Africa amidst rising tensions between Christians and Muslims. The monks weigh the issue thoroughly, understanding that although they play no role in the …
The Interrupters
In many respects, The Interrupters showcases the dichotomy of documentary filmmaking: the execution of the film is flawed but the story is spellbinding. Shot over the course of a year, the documentary follows “Violence Interrupters” affiliated with the group Cease Fire as the roam the streets of Chicago’s most at-risk neighborhoods, mediating confrontations and diffusing dangerous situations. The group’s goal is two-fold: to reduce violence as much as possible because acts of violence beget violence and lobby to address some of the root causes of which violence is a symptom. The group is founded by a doctor named Gary Slutkin …
Moneyball
Salary caps and sabermetrics do not seem suited for the silver screen but Moneyball entertained an audience for a couple of hours and recounted a reasonably true story. After star free agents Jason Giambi, Johnny Damon and Jason Isringhausen, Oakland A’s General Manager Billy Beane enters the 2001 off-season wondering how to win an unfair game. For two years, the Athletics had made the playoffs but lost to the New York Yankees, a team with almost four times the financial resources. Unlike Michael Lewis’ book – which accurately describes the Oakland front office and the philosophy which had been in …
T.I.F.F. 2011, Part V: Into the Abyss
Werner Herzog returns to the Toronto film scene with Into the Abyss, another existential work strangely similar yet totally unlike his last documentary, Cave of Forgotten Dreams. The documentary is both a rumination on the meaning of life and a true crime story, a version of In Cold Blood for the twenty-first century. Herzog recounts a triple-homicide in Conroe, Texas in 2001 when Michael James Perry and Jason Burkett killed three people in order to steal a Camaro. Interviewing friends and family of the victims and perpetrators, Into the Abyss exposes the audience to lives impacted by poverty and marred …
T.I.F.F. 2011, Part IV: Carré Blanc
A dystopian vision of office life in the future, Carré blanc is combination of George Orwell’s 1984 and Delicatessen. Jean-Baptiste Léonetti spent nearly five years putting together his stark film that combines ubiquitous corporations, sycophant co-workers and greed. The planet resources have been consumed and world is controlled by a single-minded company which seems to be a combination of Apple and Starbucks. Humanity faces a paradox: the population is plummeting but people are most valued as food. Philippe is a mid-level manager who is charged with performance evaluation, delivering tests which vary from sadistic to absurd to his colleagues. Earlier …
T.I.F.F. 2011, Part III: The Kid with a Bike
The Kid with a Bike (Le Gamin au vélo) tells the story of Cyril, a child who is struggling with the realization that his father does not want to take care of him. Directed by Jean-Pierre and Luc Dardenne, the film focuses more on the young protagonist rather than a storyline. Cyril experiences some difficult times but the film progresses based on how he reacts to the events rather than the events itself. At first he is angry, in a state of denial about his father’s abandonment, later struggling to fit in and find a father figure and later accepting …
T.I.F.F. 2011, Part II: J’aime regarder les filles
Set in 1981 against the backdrop of the election of François Mitterand to the presidency, J’aime regarder les filles profiles the life Primo, a student trying to achieve his Baccalauréat diploma and become accepted by a group of rich friends. The film proves charming, albeit incomplete. Pierre Niney, who plays Primo, the unfortunate protagonist, engenders the audience’s sympathy despite behaviour which ranges from naïve to deplorable. Primo wishes to fit in but seems unable to take any responsibility for his actions which hurt himself, his friends and his family. Primo lives in Paris, working at a variety of poor jobs …
T.I.F.F. 2011, Part I: The First Man
Based on Albert Camus’ unfinished last work, The First Man is an semi-autobiography, balancing tales of the author’s upbringing in a fatherless home with scenes from 1957 Algeria. The film’s twin timelines succeed in profiling author Jacques Coméry and his time in Algeria during two separate times, the 1920s and the 1950s. Scenes from his childhood and the path that led him to become a writer and make a career for himself are juxtaposed with a recent trip to the country to visit his family and speak on the subject of the independence movement. As Coméry speaks to integral figures …
The Debt
Sometimes, a non-linear storyline serves a purpose. It can unravel a mystery piece by piece and keep the audience guessing. Sometimes, it just appears contrived. In The Debt, the non-linear storyline revealed how a trio of ex-Mossad agents had been living a lie since a seemingly high-profile arrest of a Nazi war criminal. The narrative gimmick also caused the film to drag, separating a clichéd spy story from a more interesting drama. The cast who portrays the characters in the current day are compelling, although barely featured. One of the premises of the film is that the lies told by …
The Guard
I saw The Guard because I was curious as to why Don Cheadle would star in a film with Brendan Gleeson and a number of Irish actors. Cheadle is very selective in his roles and always delivers a thoughtful and convincing performance. The idea of an American/Irish odd couple story could be mishandled by a daft screenwriter but this film must have had something about it to catch Cheadle’s interest. Most audience member seemed to enjoy the film wholeheartedly. The dialogue was witty, the characters were compelling and the story was memorable. Two disparate personalities, forced to unite in order …
Page One
Page One is a documentary about The New York Times as it struggles to remain relevant in the twenty-first century. The documentary originally chronicles how editors debate and decide what should be featured on page A1 although the paper itself later becomes a story itself as it addresses issues such as new media, subscriber fees, layoffs and media ethics. Advertising and classified revenue has plummeted and subscribers are choosing to access the paper online. Blogs, YouTube and Twitter provide a new way for consumers to access the topics that interest them but they do not provide much review to the …
Senna
Ayrton Senna was considered one of the best drivers ever, a wizard in the rain and someone who could push a car beyond its capabilities. He was not a driver who relied on tactics but one who would use his intensity to impose his will on his opponents. Senna combines race and archival footage from the 1980s and 1990s with some voiceovers to paint a portrait of an emotional yet exceptional athlete. Though his career in Formula 1 barely lasted more than a decade, Senna won three World Drivers’ Championships, dozens of races and countless pole positions. He became a …