Based on the mediocre attendance Friday night at the Varsity Cinemas, it is dubious that The American will garner a significant share of the weekend’s box office receipts. This is unfortunate news because the film is likely one of the better films that is out there at the moment. It is not a top film – those will be released later in the fall – but it is wholly enjoyable. I have not seen The Expendables but I can imagine how that film might feature more explosions and more action with less substance. This is a slow-paced thriller that gradually builds suspense throughout.
Beautiful cinematography of the Italian countryside gives The American a distinctive feel. Other characteristics are strong but subtle performances from the cast, an atypical screenplay, and a soundtrack that adds to the suspenseful feel. The audience was drawn into the film and there were several intelligent false starts which created an atmosphere were anything could happen next. Director Anton Corbijn has shown a vast amount of craftsmanship.
If George Clooney is following Cary Grant’s career arc, this is a grittier version of To Catch a Thief. The Mediterranean countryside would be an obvious similarity but the protagonists in both films follow a similar path of character development. Two criminals at the end of their career must decide whether they value their past or an opportunity for a fresh start.
Nevertheless, the work is less than the sum of its parts and it’s hard to put a finger on the reason why. The film seems hollow; it lacks a spark of inspiration. The lead actor broods rather than sizzles. Clooney’s performance is entirely proficient but he is unable to build a relationship with the audience that would add more emotion to the film. Perhaps communicating more with the village priest would offer a chance to expand the character’s motivation. Instead, the dialogue is much more succinct, like the impact of the film. **