A Single Man seeks to capture a sentiment, an essence, a moment. It seems to be a descendent of French films: certain abstract images are central to the thoughts of the protagonist although this effect is insufferable at times. Tom Ford directs the film in a very visual way, showing English professor George Falconer’s attempt to navigate around past demons and through the perilous present
Having lost the love of his life in a car accident eight months previously, Falconer begins the day with the intent of killing himself. As he goes about his daily business, individual scenes trigger memories and emotions. He remembers his past and is unsure about moving forward with his plan.
It seems to be a descendent of French films: certain abstract images are central to the thoughts of the protagonist although this effect is insufferable at times. Tom Ford directs the film in a very visual way, showing English professor George Falconer’s attempt to navigate around past demons and through the perilous present. Having lost the love of his life in a car accident eight months previously, Falconer begins the day with the intent of killing himself.
Eyes are a critical part of the film. It is mostly lead actor Colin Firth’s eyes that give life to the dejected professor. He often focuses on the eyes of others and reminisces about those of his deceased partner. Even one scene is shot in front of a large poster of Janet Leigh’s terrified eyes from the movie Psycho. Everything about the film has a narrow focus, largely Firth’s interaction with his thoughts and immediate environment.
Still, the film asks questions about the meaning of existence and how one can find significance. Albert Camus would not have been happy with some of Falconer’s choices early in the movie; he might even say that he was betraying the life that he had lived for the last sixteen years. Gradually, the professor lets go of his resignation and finds satisfaction and clarity in individual moments. ***½